French Realist/Impressionist Painter, 1832-1883 The roughly painted style and photographic lighting in these works was seen as specifically modern, and as a challenge to the Renaissance works Manet copied or used as source material. His work is considered 'early modern', partially because of the black outlining of figures, which draws attention to the surface of the picture plane and the material quality of paint. He became friends with the Impressionists Edgar Degas, Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, Paul Cezanne, and Camille Pissarro, through another painter, Berthe Morisot, who was a member of the group and drew him into their activities. The grand niece of the painter Jean-Honor?? Fragonard, Morisot's paintings first had been accepted in the Salon de Paris in 1864 and she continued to show in the salon for ten years. Manet became the friend and colleague of Berthe Morisot in 1868. She is credited with convincing Manet to attempt plein air painting, which she had been practicing since she had been introduced to it by another friend of hers, Camille Corot. They had a reciprocating relationship and Manet incorporated some of her techniques into his paintings. In 1874, she became his sister-in-law when she married his brother, Eugene. Self-portrait with palette, 1879Unlike the core Impressionist group, Manet maintained that modern artists should seek to exhibit at the Paris Salon rather than abandon it in favor of independent exhibitions. Nevertheless, when Manet was excluded from the International exhibition of 1867, he set up his own exhibition. His mother worried that he would waste all his inheritance on this project, which was enormously expensive. While the exhibition earned poor reviews from the major critics, it also provided his first contacts with several future Impressionist painters, including Degas. Although his own work influenced and anticipated the Impressionist style, he resisted involvement in Impressionist exhibitions, partly because he did not wish to be seen as the representative of a group identity, and partly because he preferred to exhibit at the Salon. Eva Gonzal??s was his only formal student. He was influenced by the Impressionists, especially Monet and Morisot. Their influence is seen in Manet's use of lighter colors, but he retained his distinctive use of black, uncharacteristic of Impressionist painting. He painted many outdoor (plein air) pieces, but always returned to what he considered the serious work of the studio. Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. Throughout his life, although resisted by art critics, Manet could number as his champions Emile Zola, who supported him publicly in the press, Stephane Mallarme, and Charles Baudelaire, who challenged him to depict life as it was. Manet, in turn, drew or painted each of them.  Related Paintings of Edouard Manet :. | Sur la plage de Boulogne | Landscape with a Village Church | The Execution of Emperor Maximilian, | The Absinthe Drinder | Fruhstuck im Atelier |
Related Artists:
fritz thaulow
född 1847 i Christiania, död 5 november 1906, var en norsk målare. Han är en av de internationellt mest kända norska konstnärerna från 1800-talet. Thaulow fick sin utbildning vid Konstakademin i Köpenhamn 1870 -72, och 1873-75 var han elev till Hans Gude i Karlsruhe. Åren efter detta uppehöll han sig för det mesta i Paris där han fick avgörande intryck från de franska impressionisterna. 1880 vände Thaulow hem som överbevisad naturalist. Tillsammans med Christian Krohg och Erik Werenskiold blev han snabbt en av ledarna i de unge konstnärernas kamp för en rikare och mer vidsynt norsk konstmiljö. Thaulow var bl.a. med på att etablera den första Höstutställningen 1882. 1892 slog han sig ner i Frankrike, och han besökte USA 1898. Från och med samma år bosatte han sig i Paris, där han blev en kändis och blev också känd internationellt, bl.a. genom att bli antagen till den prestigefulla Salongen.
Isaak Soreau
painted Basket with fruit and plum leaves in c. 1640
Estevao Silva
Estevao Roberto da Silva (Rio de Janeiro, c. 1844 - idem, 9 de novembro de 1891) foi um importante pintor e professor brasileiro da segunda metade do seculo XIX. Primeiro pintor negro de destaque formado pela Academia Imperial de Belas Artes, notabilizou-se por suas naturezas-mortas, sendo considerado um dos maiores expoentes da arte brasileira no genero.